As I feel,
rightly or wrongly, a lot of personal connection to this work through its use
of particular motifs that I’ve also used in my work and elements of the history
of the character, Jack, coincidental to my own, one may expect ridiculous and
undue prejudice from me against this
work. Such is not the case. David Lynch plays a detective interrogating a suspect in a side room of a train station. Clearly the character of Jack, embodied by a
Capuchin Monkey (similar or identical to the one who utters Judy near the close
of the film Fire walk with me) and
given voice (and mouth) by Lynch, is primarily an alter ego, a projection of his own self
fears, as well as a loving tribute to his long time friends Jack Fisk and Jack
Nance. It should also be remembered that
Jack Nance died under mysterious circumstances and one would expect such a
traumatic mystery to find its way into Lynch's work. The style of the film harkens back to
Eraserhead, though the dialogue with its elaborate animal metaphors and proverbs seems to
parody hardboiled detective scripts, and specifically Philip (possibly with the help of his twin brother Julius) Epstein’s
racehorse dialogue in Hawks’ the Big
Sleep.
Art, propaganda and pornography presented by the artist sometimes known as Arte Barrato (even misspelled as it is here,) some of it his own work and most of it stuff he appreciates and chooses to elucidate and honor.
Friday, January 31, 2020
Monday, January 6, 2020
Sunday, January 5, 2020
Derron & Luna at Eureka Valley Rec
I wasn't at all happy with the watercolor drawings I made yesterday from the two very beautiful models at the Eureka Valley Rec Life Drawing Session, but when I got home I finished the last one from memory while it was still fresh. Thanks to the two models, Derron Thweatt & Luna Melah, and to Thomasina DeMaio for arranging these sessions.