Thursday, October 22, 2015

Solntse (the Sun)

Aleksandr Sokurov, 2005
with Issey Ogata as Emperor Hirohito








 The Sun concerns the Japanese surrender to the United States at the end of the Second World War following the bombings of Hiroshima and Nagasaki.  It focuses almost exclusively on the actions of the Japanese Emperor, Hirohito, and places great emphasis on his decision to renounce his singular divinity and to live as a man rather than as a descendant of the sun goddess, Amaterasu.  It has not been as widely shown in Japan as one might expect because it breaks a serious taboo in having an actor play the Emperor and especially in depicting him as it does (including a very prominent facial tic.)  This is not to say that Sokurov in any way sets out to humiliate the character he has shown in this unusual way.  Though he is clearly identified with Charlie Chaplin, it is not done so in order to paint him as a pathetic clown, but to show (among other matters) Hirohito’s awareness of his having played a role as a divine ruler and playing, in his present situation within the film, an actor on the World Stage.




























 

Wednesday, October 21, 2015

Ultraman

created by Eiji Tsurburaya, Tokyo 1965









Over the last fifty years there have been (so far and as well as I can count) a total of twenty eight incarnations of the title character in the Ultraman series.  I cannot pretend to be able to identify one from the other at a glance as a truly fanatical fan of the series no doubt can do; but I do know that my favorite is Ultraman Taro, whose stories are said to embody the spirit of Japanese fairy tales.  The first five frames below show the original Ultraman as seen in color in the second of the Ultra series in 1966.  The sixth frame down and the next five after it are from Ultraman Taro, 1973 - 74.  The rest of the pictures are placed (as best I could) in chronological order up to the most recent incarnation.